Generations of Indigenous Voices from NY State | Apache 8 | Where are They Buried? | Lousy? Indigenous news coverage


This slideshow requires JavaScript.

The exhibition Community and Continuity: Native American Art of New York is culled from the New York State Museum’s collection of contemporary Native American art.  NYSM is known for its historical and archeological Indigenous objects, which number in the millions and range in date from 13,000 years ago to the early 20th century.  But in 1996, the museum began acquiring works by living Algonquin and Haudenosaunee (Iroquois) artists to celebrate the continuing vibrancy of these communities.

Community and Continuity: Native American Art of New York continues at the Samuel Dorsky Museum (on the campus of the State University of New York at New Paltz, 1 Hawk Drive, New Paltz, NY) through December 9. The exhibition was curated by John Hart and Gwendolyn Saul.

READ: Generations of Indigenous Voices from New York State


This is the story of the courageous all-female Apache 8 firefighting unit which has protected their reservation and responded to wildfires around the nation for 30 years. This group, which recently became co-ed, earned the reputation of being fierce, loyal and dependable–and tougher than their male colleagues.Despite facing gender stereotypes and the problems that come with life on the impoverished reservation, the women became known as some of the country’s most elite firefighters. The film focuses on four women from different generations of Apache 8 crewmembers who speak tenderly and often humorously of hardship, loss, family, community and pride in being a firefighter.Official Selection at the American Indian Film Festival.

Source: Apache 8 | Kanopy


Thousands of Canada’s indigenous children died in church-run boarding schools

Armed with everything from school attendance records to drones, researchers across Canada are racing to shed light on a bleak part of the country’s history: How many indigenous children died at residential schools, and where are their unmarked graves? From 1883 to 1998, nearly 150,000 indigenous children were forcibly separated from their families and sent to the government-funded, church-run boarding schools in an attempt to assimilate them. Once there, they were frequently neglected and abused. What happened at the schools was akin to “cultural genocide,” concluded a 2015 report from Canada’s Truth and Reconciliation Commission. It also found that at least 3,200 students died at residential schools over those 115 years — a much higher rate than for students elsewhere in Canada — though the commission contended that the number was probably much higher and merited further investigation.

The religious organizations that operated the schools — the Anglican Church of Canada, Presbyterian Church in Canada, United Church of Canada, Jesuits of English Canada and some Catholic groups — in 2015 expressed regret for the “well-documented” abuses. The Catholic Church has never offered an official apology, something that Trudeau and others have repeatedly called for.

Source: Thousands of Canada’s indigenous children died in church-run boarding schools. Where are they buried? – The Washington Post




Most journalists also said we didn’t bother to cover Indigenous peoples because there was no journalistic payoff. We, reporters, preferred to do stories to improve situations and conditions, by pointing out things that didn’t work properly. We looked for bad guys, stories about corruption or inept business owners, government administrators, politicians, cops, for example. Yet similar stories about Indigenous communities never went anywhere. Things never changed. Also, by telling these stories, we faced accusations of concentrating on the negative. (See comment above about racism.)

Source: Why Coverage of Indigenous Issues Is So Lousy | FAIR

Write A Good Story: How Leonard Peltier and Rebel Journalism changed me!

Rebel Journalist John Ross

The Making of an Activist-Journalist – Paul Buhle remembers the rebel reporting of John Ross.  “Who is a rebel journalist?” That is the big question asked by John Ross.

We are living in a world today in which the struggle between knowledge and ignorance, civilization and desecration, creation and destruction, is raging. – Albert Litewka, Chairman of the Board, Los Angeles Review of Books

Journalism has changed! There has been a fascinating change in the traditional journalistic press over the last several years. Take corrections as an example. It used to be that corrections to printed news stories were a really big deal. There was a high bar to get a correction accepted in a newspaper or magazine. The story as printed was the permanent record.  That was then. – MARC ANDREESSEN LINK

stephen king on big TV
I can’t bear to watch regular TV news – it makes me CRAZY …


By Lara Trace Hentz, aka “Lethal Journalist”

I want to thank everyone for the good words concerning the loss of my brother Danny. It’s very appreciated.  I wrote this post prior to his death:


Do you remember your first writing assignment? Or your first computer?

I was living in Seattle when we bought our first PC computer and it was a VERY BIG THING (and heavy) in the early 1990s.  At my job at Jerden Records, documents were still being typed. I recall Jerry my boss had a credenza and kept double copies of all his typed correspondence in file folders. The Zerox purred; this Goliath copy machine had its own room- it was HUGE!  We published a marketing newsletter NORTHWEST LOG that was distributed to Seattle radio stations. It was hand-typed too.

In 1992, there were only about 200 websites. Can you imagine?

Soon I brought my own computer to work and loved using it. Do you recall WYSIWYG – I think it was a way to convert from PC to MAC and print documents from floppy disks? There were places in Seattle that would print documents for us. That seems like a million years ago, right? Most people don’t even know what a floppy disk is!

Using a personal computer was the way I worked and how I wrote.  After writing my first play in Oregon, I decided to write professionally, even get paid for it.  Looking way way back, I got the urge when I wrote (badly) for the high school newspaper.  I didn’t get a minor in English at UW-Superior because of two required courses (on Shakespeare) I didn’t take. (sigh) I studied theater for my BFA major and had all I could handle of Shakespeare!

All along, I knew writing is what I’d be doing – eventually. I kept journals all my life. I wrote a few magazine articles for Oregon Coast Magazine while I lived on the west coast, hoping to find more work freelancing.

My first (good paying) editor job was working at the Sawyer County Record in Hayward, Wisconsin. Our crew had to cut-and-paste and layout our computer-generated stories onto big sheets for the press. We used hot wax! Can you imagine? That was in 1996. We were a weekly newspaper so Tuesday was layout night and often we worked until 2 a.m. to get it all done. I drank Mountain Dew (as a drug) to stay alert. Driving home was hard when I was friggin’ exhausted

Is that how journalism changed me? Not exactly.

At the RECORD, I wrote my first feature story about a woman who lost her son to AIDS in 1996. I went to her home and we talked and I took a photo of her as she showed me a quilt piece she’d sewn-by-hand to be added to a large traveling AIDS quilt exhibit.  In those days, creating awareness was the key to AIDS prevention. This mom was honoring her son. I had no judgment about AIDS or this mother or her son or homosexuality.

A letter to the editor came in the following week, calling me a “Lethal Journalist” for writing that story: the letter writer implying I condoned homosexuality and more importantly: he was a local Mennonite minister.

BAM! That fast I’d made my mark! Proud of myself? I really was. Lethal Journalist was a badge, better than a journalism award.  (I did win awards later, but that label stuck.)

Then more changed! I shifted jobs to a national Native American newspaper. I found my niche – writing news and features. Native American news and history was my big love.

In 2000, my adoptive mom Edie got a TV satellite for her rural lake house in Wisconsin.  Edie kept telling me about this young journalist Amy Goodman and Democracy Now.  She watched it daily and took notes, it was that good and important, she said. She used a VCR to make copies of the broadcasts for her local priest who didn’t have satellite TV.

It was Edie’s awakening and shift to a different kind of news program that stuck with me … Mom was elderly. Now she spoke of other news shows (CBS, ABC, NBC) with disgust and how Amy was reporting news those major media outlets dismissed or refused to cover.  [At Mount Holyoke College, I got to meet Amy at her book signing and I bought a signed copy of STATIC for my mom.]


This is a quote about Rebel Journalist John Ross and Amy and others who are not mainstream but as important in my mind:

The journalistic heroes and heroines, including Glenn Greenwald, Amy Goodman, Naomi Klein, Jeremy Scahill and John Nichols among others, operate in a wide array of venues, print to radio, television and web, wherever they can find space. They are often alone, it seems, in opening up debates that do not occur in the mainstream, obsessed as it is with fast-breaking trivia and assuming, as it does, a conformity of views about American goodness and the terror threatened or actually imposed upon the virtuous by the barbarian outsiders. LINK

Back in 1998, I interviewed famous political prisoner Leonard Peltier (see Incident at Oglala documentary by Robert Redford) while he was still an inmate in Leavenworth, a federal prison in Kansas.  I’ll save that story for another post for this blog but I do recall I was very very nervous… I remember Leonard told me, “Write a good story.” This interview was done over the phone at his Defense Committee Office.

PRESSURE?! I was scared sh*tless!  Back in Wisconsin, Mom assured me I would be fine.  I had taken a boatload of good notes.  I could write a good story about Leonard Peltier.

And I did it (actually twice).

[footnote: I met Amy Goodman again in 2008 at the Wisconsin Book Festival. I was invited to Madison to read an excerpt from my memoir. My husband Herb and I went to hear Amy and Jeremy Scahill at the book festival…]


A sampling of Features I wrote for News From Indian Country: Wisconsin’s independent national Native newspaper

Lakota artist Dee Whitcomb (2004)

Narragansett award-winning Author John C. Hopkins (2003)

25th Anniversary of Wounded Knee, series of interviews (Pine Ridge, 1999)

Political Prisoner Leonard Peltier (1998,1999)

Hollywood Native Actor Joe Runningfox (1998) Apache

Grammy winner Bill Miller (1998) Stockbridge-Munsee Mohican

Native Journalist Patty Loew (1997) Bad River Anishinabe

Grammy Winner Musician Joanne Shenandoah (1998) Oneida

Former Attorney General Ramsey Clark (1997) (Incident at Oglala, Leonard Peltier)

500 Nations, 500 Years: A Forum of Tribal Sovereignty (1997)

Hollywood Lakota Actor Floyd Red Crow Westerman (1996)

Some are archived at News From Indian Country website…

TOP PHOTO: Leonard Peltier arrested (Archive photo)



What Cannot Be Said:  Freedom of Expression in a Changing World
January 22 – 24, 2016

The Forum for the Academy and the Public is pleased to announce our 2016 conference, Freedom of Expression in a Changing World: What Cannot Be Said, which will take place on January 22nd, 23rd, and 24th at the UCI and USC campuses in California.

Timed to coincide with the first anniversary of the Charlie Hebdo attacks in Paris, this conference will look at the changing parameters of freedom of expression in a rapidly shifting world. We’ll be talking about freedom of expression on campus, and about the digital era, the law, and freedom of expression. Another panel will address problems of freedom of expression and journalism in conditions of repression. A further panel will address the conflicts and possible concords between freedom of expression and religious belief. Edward Snowden will appear via the web in conversation with his biographer, the prize-winning American journalist and author Barton Gellman. The Atlantic’s Caitlin Flanagan and Zunar, the embattled Malaysian cartoonist, will be among the many brilliant and insightful participants. Steve Mumford, whose outstanding paintings of secure locations off-limits to photojournalists have broken the boundaries of repression, will be speaking and presenting his work. There will be a roundtable of notable political cartoonists discussing their drawings, censorship, and self-censorship. Sandra Tsing Loh and Azhar Usman will perform stand-up with Q&A after their performances about the extent of comedians’ freedom of expression. UCLA historian David Myers will lead a discussion about tolerance and intolerance of and by religion with NPR’s Krista Tippett, USC’s Sherman Jackson, Rabbi Sharon Brous and novelist Laila Lalami. The conference will end with a grand finale musical performance by a surprise musical guest and a discussion of race and rap lyrics led by USC law professor Jody Armour.


And I want to see this:

Special Exhibition

Gathering Voices: Thomas Jefferson and Native America

American Philosophical Society Museum
Philadelphia, PA/USA