Poetry Reviews: J Matthew Waters, AshiAkira, Laura Grace Weldon

“I believe the role of the poet is to reflect on human experience and the world we live in and to articulate it for oneself and others…. I think that the poet can write forcefully, using a different approach from a journalist, about subjects such as climate change, violence, abuse and mental illness and that this is meaningful to others. I very much believe too that poetry is a way of celebrating life. I think it deserves a central place in our world.”  A Life Immersed in Poetry: Myra Schneider, Celebrating Over 50 Years as Poet and Writer (link to Jamie Dedes)

By Lara
Howdy! …just so you know, I have always had more poetry books (and history books) on my book shelves, and these three brilliant poets never cease to amaze  and fill me with wonder and deep thoughts.  Poetry does deserve your time, too, so brace yourself, this is a long post…

First up:

J Matthew Waters, and his 2015 book Forty-Five Revolutions Per Minute (ISBN: 978-1-5197-2802-9)

With four poetry collections published, JW writes a daily poem on his blog  jdubqca , and it’s extraordinary he can keep up this writing schedule since it appears he also has a job in the financial sector in Iowa!

(below) Read RUNNING ON EMPTY! I’ve earmarked his book, and have so many post-its – it was very hard to choose just one but WOW –

A man who can write with such madcap vision with a dash of the esoteric and gravity of love, he’s grabbed me so many times with his poetic brilliance, I am simply in awe of this man.  JW has composed over 700 poems since 2011 (and blogs as he writes them).  It all makes sense to me –JW can’t help himself – he is an artist (of words.)

theory of a black hole

birth is like a microscopic bang
transmitting near-silent primal waves
quickly creating its very own tiny galaxy

struggles elapse in the background
ongoing and inaudible to the human mind
unmistakable to the almighty creator

to what degree the energy advances
is an invaluable period of time
[no matter the linear length]
from the very start to infinitesimal finish

(may 30, 2019)

++He makes an audio file so you can hear him read which is also genius! Visit JW on his poetry blog HERE:  https://jdubqca.com/

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May 31, 2019 by AshiAkira

The news of heat strokes

Never been so hot in May

Or people getting weak?

AshiAkira is a skilled master of Haiku who lives in Tokyo, Japan. I wrote an earlier review of his work here (when he was 79 years young).

He has since published a second collection Haiku Poems II (LINK: available on Lulu.com) with over 500 poems, in the five-seven-five syllable pattern.  What I long for when I read his work is to feel what he feels as he walks the places he knows so well in Japan, and learn about his culture a half a world away.  After hearing about yet another earthquake, I waited to see what he’d write.

526

After the earthquake

Sit in a mess of strewn books

Thinking of reading.

 

527

Cascade of spring light

The resurrection of the earth

After the earthquake.

AshiAkira (his penname) wishes to emulate the haiku poets of old.  It’s so difficult for me to write (and think) in three sentences but he’s a master:

Red-and-white plum trees

Innocently in full bloom

Amid snow forecast

In the book introduction he writes about how he came to be a poet:

Thanks to retirement, I became free.

Having worked as a news reporter,

I have seen the pretentious faces of people in many walks of life,

Politicians, bureaucrats, businesspeople, showbiz celebrities,

preachers, and priests—- All wade through their lives

with business smiles and political gestures.

I was one of them.

When I found myself free, the first thing I did was take a walk.

 

His third collection is delayed: he wrote me his hospitalization in 2018 prevented him from publishing “Haiku Poems III” and right now (May 2019) he is recovering from pneumonia and was in hospital again.

In an 2018 email exchange, I asked AskiAkira how he’s doing: “I’m feeling all right, and I can walk about 100 meters now.  I’m sure I can regain the strength enough to complete the third book for publication soon.  I post haiku every other day now (on my blog), and I imagine about a couple of thousands from which to select for the next publication.

“The basic spirit of haiku writing is to follow the law of nature above and before all other things especially dictatorship or any other political oppression. When the ordinary people lead the world, peace will be on Earth,” AshiAkira wrote.

I urge you to visit and follow his blog and see for yourself what a gift this beautiful man is to the world and to HAIKU poetry…

HAIKU II (ISBN:  978-1-4834-7596-7 ppbk)

He posted an introduction to Vol III here: https://ashiakira.wordpress.com/2019/03/11/march-10-introduction/

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Let me share just a few 5 STAR reviews on Amazon for BLACKBIRD: (ISBN: 978-0999432761 ppbk)

This book of new poems by Laura Grace Weldon, titled Blackbird, is a gem. Her imagery is grounded and evocative. Real life unfolds here in ways that give poignant hope to the paradoxes of our lives. These truth-telling poems of tender scenes will stay in the memory for years to come.

This book is a pergola–you walk through it, to find a green and wholesome space

   By turns this collection made me laugh, feel wistful, get in touch with half-forgotten memories, and at one point, I just set the book down, completely gob-smacked. I LOVE poetry, but I have little patience for poetry that makes me feel stupid. Laura’s poems never do that. They have a fresh straightforwardness that makes them relatable, and at the same time they have multiple layers to dive into. Here’s an example of one that grabbed me from the first line.

  In “Assembly Required” the poem opens with “I just need a new body / my mother used to say / as if she could unscrew her head…”.  How can the reader not keep reading?  Where is this one going?  Well, with this poet, it will be somewhere interesting, thought provoking, wonder-full. The whole book is worth owning just to read (and re-read) “Compost Happens”. That was the gob-smacker for me.

SOOOO… yes I took my time with Blackbird, and wrote a few pages of notes which became this review on Amazon:

Playing Blackbird

The world needs a big dose of Weldon’s poetry right now

May 17, 2019

Her poetry takes raw courage. My dictionary is open on my desk to play BLACKBIRD (her poem and book title) as instructed in the beautiful new poetry collection by Laura Grace Weldon. (I found a word, eyes closed, my finger blindly choosing the word itinerary. The word perfectly fits her new book: a record of a journey.) 

Her book breathes; Blackbird beats in my hand. Whoever said, “Poetry is a language unto itself,” this is utterly true of her work. (I always look forward to her musings on her website, too.)

Without a doubt, her poetry is code. Not everyone feels poems are a form of writing they can understand. Laura doesn’t write difficult or obtuse. She writes “REALLY REAL, deeply.” Her words rush tears to my eyes. So I pray she makes time to write volumes more… and allow us access to her universe, embedding word-poems for those of us wise enough to realize true beauty when we see it… if only us humans could only crack open and think with open hearts.

“If art is to nourish the roots of our culture, society must set the artist free to follow his vision wherever it takes him. We must never forget that art is not a form of propaganda; it is a form of truth… When power corrupts, poetry cleanses.” – JFK

The world needs a big dose of Weldon’s poetry right now. As Laura writes in Earthbound:
“We want to get past/ greed, suffering and war, enough already./ And death? That’s awfully primitive for souls with so much left to learn./ That said, this planet does a lot right./ Birds, for one./ Water in all its perfect manifestations./ Those alive poems called trees. ”

God, I want what she wants. Time travel would also be nice. 🙂

 

Ah… the beauty of her writing is in full bloom here:  https://lauragraceweldon.com/

Laura is also the author of Free Range Learning and an earlier poetry collection Tending.

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Why has noone produced reality show about poets??? I know plenty!

J Peter Moore wrote: How can it be, with streaming services and cable channels engaged in an all-out arms race for our so-called “entertainment” dollars, that no one has produced reality show about poets???

Magdalena Zurawski’s recent book of poems The Tiniest Muzzle Sings Songs of Freedom, offers a glimpse into what this duality might look like:

“So that my best poems disappeared just as I began to dream. I know I was their only audience, but I am sure they were my best work. If only I know how to retrieve them, know where they were stored.”

GREAT REVIEW: Poems About Unending Displacement and Mobility

 

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If I have not said it to you bloggers, I mean this. You mean the world to me. There are so many of you who I treasure when I read your posts, though I don’t always comment or say something nice or witty. You have made me a better writer and reader.  Thank you ALL!

I have a new doctor for my thyroid issues (hyper-thyroid) and he is young and talented and of course holistic. I will be following a new regimen the next 30 days or so and will report back how I’m doing in July.  The other bigger issue: uterine cancer was surgically removed and is gone. I’ll be around much longer we hope!

 

Top photo:

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Indian Country: The Art of David Bradley continues at the Autry Museum of the American West (4700 Western Heritage Way, Los Angeles) through January 5, 2020. The exhibition was organized by the Museum of Indian Arts and Culture/Laboratory of Anthropology (Santa Fe, NM) and circulated through Guest Curator Traveling Exhibitions.

Source: Santa Fe Through the Eyes of a Minnesota Chippewa Artist

Invisible No More: Spotlight on the Once Silent MMIW Crisis

STORY: Invisible No More: Spotlight on the Once Silent MMIW Crisis – Native News Online

TODAY:  National Day Of Awareness For Missing And Murdered Indigenous Women

Visit: www.mmiw-gic.com

What Climate Organizers Can Learn From Two Centuries of Indigenous Resistance | in-digit-ous | Why ICWA still matters | poets I love

Q: Could you explain what you mean by the title phrase of your book, “our history is the future”?

I look at the Ghost Dance prophecy, which was an anticolonial uprising among particularly Lakota and Dakota people on the northern Plains in the late 19th century, but also a widespread spiritual movement that went up the west coast of Canada and down to parts of what is today Mexico. If they were completely harmless, then the United States wouldn’t have deployed its army against starving, horseless people at Wounded Knee. The reason it represented such a threat was not because Lakota and Dakota Ghost Dancers were going around and murdering white settlers — it was because it was a vision of the future. When you subjugate a people, you not only take their land and their language, their identity, and their sense of self — you also take away any notion of a future. The reason I chose this name is because in this particular era of neoliberal capitalism, it’s easier to imagine the end of the world than the end of capitalism. The argument I’m making is that within our own traditions of Indigenous resistance, we have always been a future-oriented people, whether it was taking up arms against the United States government, whether it was taking ceremonies underground into clandestine spaces, whether it was learning the enemy’s language. This pushes back against the dominant narrative that Indigenous people are a dying, diminishing race desperately holding on to the last vestiges of their culture or their land base. If that were the case, then I don’t think we would have an uprising such as Standing Rock or, today, Line 3 or Bayou Bridge, or the immense amount of mobilization around murdered and missing Indigenous women.

READ: What Climate Organizers Can Learn From Two Centuries of Indigenous Resistance

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Bobby Bridger’s son coined a phrase for his dad’s project: in-digit-ous environment.

Source: Timeless thought meets modern tech: A new company puts indigenous philosophy and history into audiobook form | Arts | rapidcityjournal.com

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Jered might not have seen his son again before the Indian Child Welfare Act. For decades beginning in the 1870s, native children as young as 5 were forcibly removed from their families and sent to authoritarian boarding schools in an effort to “kill the Indian, save the man.” Tribal law expert Matthew Fletcher, who is Anishinaabe, explains that boarding schools fell out of favor beginning in the 1930s, but whites still viewed native methods of child rearing, as well as concepts of family and community, with deep suspicion, and children were removed from their families for nearly any reason. It became standard policy, Fletcher says, to adopt them out to white families, all with an eye toward white acculturation. Often, they were never heard from again. “The wholesale separation of Indian children from their families is perhaps the most tragic and destructive aspect of American Indian life today,” Congress declared in 1978. It passed ICWA after hearing hundreds of hours of testimony by tribal leaders and afflicted family members. By then, according to the National Indian Child Welfare Association, an estimated 25 to 35 percent of all native children had been removed from their families.  Of those, 85 percent were placed in white homes, even, NICWA says, when suitable relatives were available.

GOOD READ: The Indian Child Welfare Act: Does a law meant to keep Native American children with their tribes help or harm them? – The Washington Post

The secretive Goldwater Institute is the force behind recent lawsuits in more than one state that wish to end the Indian Child Welfare Act.  This quote above explains WHY! ICWA is the gold standard for caring for Indian kids.

My story on being adopted out

Walking the Red Road

By LT

If I could read poetry and prose every single day, I certainly would.  Mystics live and breathe in today’s poets:

POETRY IS A CODE THE HEART UNDERSTANDS.

I will be posting book reviews of some of my favorite poets, who are also fantastic bloggers on my blog soon. (I plan to post their book links as well as links to their blogs.)

I want to thank everyone again for the love and support since last May’s cancer surgery. YES I am a cancer survivor now.  xox

“It’s a Miracle We’ve Survived This Far”

A new book review! Thank YOU Dr. Bramhall.

The Most Revolutionary Act

Mental Midgets/Musqonocihte

By Trace Hentz

Blue Hand Books (2018)

Book Review

This exquisite little book is actually two books in one – both thoughtful compilations of original poems, prose snapshots, memes, photos and “creative nonfiction,” all beautifully laid out on the page.

Mental Midgets contains a moving tribute to Native American musician, poet, philosopher and activities John Trudell, who died in 2015.

General themes covered in both books are colonization, the survival and resistance of indigenous people and the attitude of hopeful resistance all of us need to survive the barbarity and insanity of advanced industrial capitalism.

There are also thought-provoking quotations from fellow dissidents Noam Chomsky, Michael Moore, Lev Tolstoy, Chris Hedges, Kurt Vonnegot and Neil Young.

It’s the type of book I envision re-reading repeatedly over coming months and years.

View original post

District of Despair: Montana Reservation Schools | Alone | Loot | Bansky | Zinke gone

Just half of Wolf Point’s Native students graduate from high school, compared with about three-quarters of their white peers. In June 2017, the Tribal Executive Board of Fort Peck filed a civil rights complaint with the U.S. Department of Education’s Office for Civil Rights requesting a federal investigation into its contention that the Wolf Point school system discriminates against Native students.

“I think the sensitivity to different cultures, sometimes it ends with Native people,” said Ron Lessard, the acting executive director of the White House Initiative on American Indian and Alaska Native Education since 2017.

Source: District of Despair: On a Montana Reservation, Schools… — ProPublica

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ALONE: 2018 QUOTE

In her essay “Alone in Company,” Chelsea Bayouth reflects on the role of an artist at the end of 2018:  “For me, it is to fear that every word or image is a window into public, political, and social tumult.  It means you have to be more vulnerable than you or anyone in times previous has ever been…. Social capital is the currency, and if you have none you are poor. ”

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Royal statues from the Palaces of Abomey in Benin, displayed at the Quai Branly Museum in Paris; they are among the works slated to be returned to Benin as soon as possible (photo by Jean-Pierre Dalbéra via Flickr)

 

 

 

 

 

 

 

 

The Ivory Coast is demanding that France return 148 works once looted from the country.  The Ivory Coast’s culture minister, Maurice Bandaman, confirmed that a list of works were sent to France and are set to be returned in 2019.  Bandaman also told Agence-France Presse, “At least 50 museums around the world have Ivorian works, and this does not include private collection,” indicating that France is not the only country with looted works. [Agence France-Presse]

The British Museum’s ‘Looting’ Problem  …headlines across the internet announced that the British Museum was to “return looted antiquities to Iraq.”

Clearly, the United States has an aversion to facing its past and is long overdue for a moment of truth and reconciliation. Read:  The Field Museum’s Native North American Hall starts to ask who it represents | Feature | Chicago Reader

One more: As Belgium Reopens Africa Museum, DR Congo Demands Restitution of Artifacts

(This is a trend I am very glad to see)

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Bansky

A new work by Banksy has appeared at the back of a car garage in Port Talbot, Wales last week. Since then, crowds have gathered at the scene, with local authorities having to manage and organize the groups of people. Banksy claimed responsibility for the work on his website and Instagram. The garage is owned by Ivan Lewis, a local steelworker. “I’ve never experienced anything like this,” said Lewis. “My phone is ringing, on my house phone there’s 1,000 messages on it.” [Art Daily]

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Shan Goshorn, “a Cherokee artist and activist known for her contemporary approach to traditional basket-weaving,” died of cancer at the age of 61. [Tulsa World]

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Under a cloud of scandal… the toxic Interior Secretary Ryan Zinke is gone (fired) (top photo)

Can we call it a year now?  2017 and 2018 wore me out.  Cancer didn’t help but I feel woke enough.

02019 – please, do us a favor? Be kind to us. We deserve better!

xoxoxox

LT

Day of Mourning in Plymouth | Migrant Mother | Malaga | Mental Midgets

Indigenous people and supporters gathered despite sub-zero wind chills for the 49th National Day of Mourning at Plymouth, Mass.  The undaunted crowd included Indigenous peoples whom the pilgrims menaced and murdered — Nipmuc; Mashpee, Aquinnah and other bands of the Wampanoag; Narragansett; Massachusett; Pequot and other Indigenous nations…

BIG READ: Day of Mourning honored at Plymouth – Workers World

I mentioned that I would have liked to been in freezing Plymouth…

The commemoration known as Plymouth 400 will feature events throughout 2020, including a maritime salute in Plymouth Harbor in June, an embarkation festival in September, and a week of ceremonies around Thanksgiving.

READ: 400 years later, Natives who helped Pilgrims finally being heard | RED POWER MEDIA

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We are not supposed to know (continued)

After the residents of Malaga were pushed out, the state bought the land for $471, according to Maine Coast Heritage Trust, and ordered the rest of the residents to leave by July 1.  In 1913, the state sold the land to Everard A. Wilson, a friend of the doctor who had been the chair of a committee Plaisted had established to investigate the allegedly appalling conditions on Malaga. Malaga was for many years in private hands, but remained undeveloped. The hotel that had been planned for Bear Island, which Hamilton said was a key incentive for pushing the Malaga residents off the island, was never built.

Background: Bates professor tells story of Malaga Island, including its dark chapter of forced exodus – Portland Press Herald

Coming to Terms with Tragedy Through Art

For the past 10 years, painter, author, and illustrator Daniel Minter has raised awareness of the forced removal in 1911 of an interracial community on Maine’s Malaga Island. HERE

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• 

  one of the most famous photos in the world

  Writing for the New York Times’s Lens blog, James Estrin describes the history of Dorothea Lange’s renowned “Migrant Mother” photograph from Nipomo, California:

A subsequent Associated Press article in The Los Angeles Times revealed that Ms. Thompson was not of European descent — as had been commonly assumed — but “a full-blooded Cherokee Indian” from Oklahoma. That detail, Ms. Meister said, raises the compelling question of whether “Migrant Mother” would have resonated so widely if viewers knew the subjects were Native American.

(another one of those “shake your head” stories, right?

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☀️ I write something every. single. day.☀️

By LT

Is time speeding up?

I am still trying to figure out to talk about the twin books: Mental Midgets | Musqonocihte and why one book became two and how they happened so fast. (I have to thank my friend MariJo for telling me what I felt about urgency was to be trusted.) It’s a short book – 91 pages – but it feels MUCH longer.

I do think of this year 02018 as The Year I Had Cancer – this changed me mentally.

Was it five years ago when I started the Midgets book.  I used to joke and say it might get done this century.  Why?  My goofy utter distrust, of course.  Many of you are experiencing what I call wavy brain too.  We don’t think about the future as much as before… and why is that? Read about the Long Now Foundation from earlier this year. Trump and electronics are both a BIGLY reason!

Back then I kept the book title under wraps.  Mental Midgets, what does it mean? It’s absurd.  It’s maybe kinda funny.  It’s not about small people.  But it is about our minds, the constant chaos, the news, Trump, cell phones, social media, and how it seems to me, at least, our brain capacity shrinks when memories go small. And then there is (hi)story to consider.

Here is a one sentence (short) book description:

This TWIN book is a collection of factoids, philosophy, quips, questions, code, quotes, photos, thought bombs, creative non-fiction, Native American history and prose. And it’s short. Musqonichte translates Blue Sky.

The code is a message.  There are things in there you should know.

Happy 02019 to all my friends and relatives!

Happy 02019 – add that zero and I will be writing more soon!

LEFTOVER | Hospice of Failed Utopias | About War | Exposición Luis Camnitzer

Hospice of Failed Utopias… Uruguayan Torture Series (1983–1984) is a direct reference to military authoritarianism in Latin America. 

Hospice of Failed Utopias

Madrid – At the Museo Reina Sofía, the artist Luis Camnitzer has piled up a grid of 80 blocks, approximately 12 by 12 inches each, and wrapped them in brown gauze.  Imprinted with the word “LEFTOVER,” followed by a Roman number, each block appears to have been shot, dripping fake, plastic blood on the museum’s floor.  The piece, “Leftovers” (1970), is an homage to those of Camnitzer’s generation who died in the hands of the Uruguayan repressive state.

FYI:  We estimate the number of political prisoners in Uruguay in January 1976 at nearly six thousand. Torture in Uruguay | by Ivan Morris | The New York Review of …

As an essayist, art critic, curator, teacher, lecturer and a creator of objects, actions and musical compositions, Luis Camnitzer’s multi-faceted work spans nearly 60 years…  The work Failed Utopias gives the exhibition its name, at the express wish of the artist.  Chiming with his usual irony, Camnitzer alludes to the ‘dark’ history of the Sabatini Building as a hospital and as a place for ‘lunatics, or the insane’.  The retrospective also constitutes a time frame of Camnitzer’s utopia, which he defines as “a process through which one seeks perfection, where perfection, like a mirage, constantly grows distant at the same speed one believes oneself to be nearing it.  Something similar to the revolution in the revolution”.

Born in Lübeck (Germany) and raised in Uruguay, Luis Camnitzer moved to New York in the 1960s, where he focused on his art, essays and teaching work. He is currently professor emeritus at the State University of New York.  Camnitzer regards himself as a Latin American artist exiled in the contemporary art capital, and is unquestionably a key figure in the development of twentieth-century Conceptualism.

Luis Camnitzer, “Leftovers” (1970) (all images courtesy Reina Sofía Museum, Madrid)

Hospice of Failed Utopias, the title of Camnitzer’s retrospective at the Reina Sofía, features 100 of his works produced since the 1960s.

Camnitzer’s newest piece, “About War” (2016–2018), considers the influence of military strategy in contemporary mappings of the world.  “About War” juxtaposes quotes from Carl von Clausewitz’s military strategy treaty On War with Google maps locations of US military bases in Latin America.  Zaya cites from Camnitzer’s emails: “We are now returning to the most reactionary kind of nationalist fragmentation, […] all of this within the context of a kind of neo-feudalism, where the weapon industry is provoking new military clashes.”

READ: Exposición – Luis Camnitzer

It seems art is one good way to send a message… LT

“We’ve never had justice”: How the Supreme Court rigged land deals against native people

The boundary lines for multiple land treaties with native tribes cross the state of Michigan.

That was the official legal ruling for the United States government: that native people did not actually own the land they’d lived on for thousands of years.

Part One Listen

By Dustin Dwyer • Part Two

The boundary lines for multiple land treaties cross the state of Michigan. The boundary lines for multiple land treaties with native tribes cross the state of Michigan.

It was 1823. The land of Michigan wasn’t yet a state. The indigenous people far outnumbered the white settlers. The Erie Canal hadn’t opened. The flood of European immigrants was yet to arrive.

But the groundwork for their arrival was set in 1823 by the U.S. Supreme Court in a case about property rights. The case: Johnson v. M’Intosh.

On the fourth floor of the Michigan State University law school building, on a windowsill that overlooks the campus, Wenona Singel (top photo) keeps her family photos. Singel is a law professor here, and associate director of MSU’s Indigenous Law & Policy Center.

Family is the reason she went to law school, she says.

When she was young, she was separated from her sister in what she says was a coerced adoption. It’s a familiar story in many native families.

“And, in my mind, understanding the operation of our legal system and the development of federal Indian law and policy was absolutely critical,” she says.

So when she got older, she went to law school — at Harvard.

All first-year Harvard law students had to take a class on property law. That is where Singel first heard of the landmark case known as Johnson v M’Intosh.

“The original Johnson of the case was actually a former Supreme Court justice, and a wealthy shareholder in the Illinois and Wabash Land Company,” Singel says. “And this land company had speculated in the purchase of Indian lands.”

It purchased those lands directly from the tribes. At that same time, the U.S. federal government was out trying to get land from tribes.  It negotiated treaties with the tribes.  Once the government got the land, it would parcel it out to sell to settlers.

So along comes this settler named M’Intosh. He buys from the government. But the land he buys, well it’s already been bought, by the Illinois and Wabash Land Company.

Remember, that’s the group of wealthy investors that buys directly from the tribes.  And Johnson is a part of that group. So Johnson bought from the tribe.

M’Intosh bought from the U.S. government.

The question before the Supreme Court: Who really owned the land now — Johnson or M’Intosh?

It’s an easy question if you think the tribe owned its land in the first place. Because if the tribe owned it, it could sell it to the Illinois and Wabash Land Company, Johnson’s group. Johnson wins.

But the real question was whether the tribe owned the land in the first place. Did they even have the power to sell it?

“And, to the surprise of the lawyers and shareholders in the Illinois and Wabash Land Company, Justice Marshall in the Johnson v. M’Intosh case declared that the tribes did not have this power.” Singel says. “And that they only had the power to transfer their property to the federal government.”

That was the official legal ruling for the United States government: that native people did not actually own the land they’d lived on for thousands of years.

M’Intosh won because he had bought from the federal government. Justice Marshall argued the federal government was the true owner of the land all along.

The indigenous people of the U.S. had some rights on their land. They had the right to use and occupy it.  But they couldn’t sell it on the open market because they didn’t really own it. That was the official legal ruling for the United States government: that native people did not actually own the land they’d lived on for thousands of years.

And yes, this decision had a huge impact.

If and when native people ever did want to sell their land rights, there was only one buyer they could turn to. That meant the buyer had the upper hand in the negotiations over price.

It was a rigged deal.

Singel learned all of this as a busy, stressed, first-year law student.”In many ways, it’s almost like gaslighting,” Wenona Singel says of the Johnson v. M’Intosh case. “You’re learning about … certain rights that are associated with property rights … knowing all along that these rights have not been respected, and were not enforced for your own ancestors.”

“And then you move on to the next case,” she says. “And there’s no further discussion of the wrong that this perpetuates. And also the flawed reasoning. And also fundamentally misinformed and racist presumptions that our property legal system is based upon.”

And this isn’t some obscure case. It’s foundational in the U.S. legal system. Most law schools teach it to all their students in the first year.

One of the passages in the actual text of the Supreme Court decision reads:

“The tribes of Indians inhabiting this country were fierce savages, whose occupation was war, and whose subsistence was drawn chiefly from the forest. To leave them in possession of their country was to leave the country a wilderness.”

This language, and the precedent it established, has never been overturned in America’s legal system. It is valid law today.

“Imagine if Plessy v Ferguson was never overturned,” Singel says. “Imagine if Dred Scott was never overturned … We’ve never had any kind of accounting and justice that has restored those original property rights.”

Lewis Cass, Michigan’s second governor, negotiated many of the treaties that ceded native land in Michigan to the federal government. He also argued for the forced removal of native people.

After Johnson v. M’Intosh, the early white leaders of Michigan drafted a series of treaties with the native people of the area. These documents would have the tribes sign their land over to the federal government.

Lewis Cass was Michigan’s second governor. He negotiated a number of the treaties. In the late 1820s, he advocated the forced removal of the land’s native people. In his argument, he echoed the words of Justice Marshall. He claimed if white people didn’t rule the land, Michigan would be doomed:

“A tribe of wandering hunters, depending upon the chase for support, and deriving it from the forests, and rivers, and lakes, of an immense continent, have a very imperfect possession of the country over which they roam ,” Cass argued. “That they are entitled to such supplies as may be necessary for their subsistence, and as they can procure, no one can justly question. But this right cannot be exclusive, unless the forests which shelter them are doomed to perpetual unproductiveness.”

Cass didn’t get his wish for removal. But he did eventually get treaties.

And the white people did make the land productive, in their way.

The same as they had done in all of the Americas, says Willie Jennings of Yale Divinity School. They did what they believed their God wanted them to do.

“The way they looked at the land, from the very beginning, from Michigan to Maine, from Virginia to Florida, they looked at the land as the world-in-potential that needed development,” Jennings says. “And that development was always tied to what can be taken from the land.”

In Michigan, a land of dense, ancient forests, they could take a lot.

Source: “We’ve never had justice”: How the Supreme Court rigged land deals against native people | Michigan Radio

The story of the trees, tomorrow in our series, “An Idea on the Land.” 

 

P.S. Taking Land is what I’m researching, from a tribal perspective. I’ll be posting news as it happens, like this post. LT

Here I am! Healing!

me, 6th grade nerd

What a whirlwind. Who knew that one doctor appointment could turn into several and then a major surgery and cancer diagnosis?

I will be getting a second opinion on that diagnosis (Stage 1A grade 3 uterine cancer) on June 26th in Boston. One can never be too careful. (Radiation was suggested as one follow-up option.)

It’s weird I have not been sick, or felt sick. I do have sharp pangs in healing this humongous scar from the bellybutton and south. (30 staples in my gut was no joke) I’m healing the insides now. It takes time.

As for how I feel, I feel it’s over. I am done with oncologists, surgeons, and doctors for now, even if I have to visit them over the next few months.

I was up and walking the night of surgery at 1:30am on May 14, and the nurses were kinda shocked at how fast I was recuperating. They let me out on the 16th and all my vitals were/are good.  Even my blood pressure is spectacular. Which is a very good thing.

From here on out… I will be taking big doses of Vitamin D and Zinc now that I am a cancer survivor. And of course my holistic doctor Dr. Lynch has been with me every step of the way. (I highly recommend you see a holistic MD, if you can find one. They have a whole body, patient-centric approach and use more than western medicine to help your body heal and recuperate and be the best you can be…)

Sadly, my darling husband looks like he needs sleep. He was with me at every appointment and of course, was worried and I love him for that, knowing his love, care and concern helped me heal this so well, so fast.

All your thoughts and prayers really worked, too, my blog family. I am living proof. Love moves mountains and heals what it touches…

I may not be blogging as much since I am supposed to be walking, not sitting. Dang, that’s no good. I have blogs to read and research to do and books to read….

BUT… I’ll be back as soon as I can 🙂

 

(I have so many new posts to share with you… but they’ll have to wait…)

 

 

 

 

Newly Digitized Collection of Early 20th-Century Lakota Drawings Tells a Curious History

The collection has been digitized by the Newberry Library, as part of its new open access policy.

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In 1922, the Newberry Library acquired this collection of 160 drawings, attributed to “Sioux Indians” living in Fort Yates, which serves as headquarters of the Standing Rock Sioux Tribe. The three boxes of art were sold by one Aaron McGaffey Beede, an Episcopal missionary who had provided paper and art supplies to the residents he had come to know, and paid them small sums to purchase the resulting works. This strange exchange arose from a dire situation: in the winter of 1913-14, the Lakota faced starvation from failed crops and a mysterious disappearance of cattle. These drawings, for them, carried exceptional value linked to survival; today, they represent significant records of indigenous self-representation as well as cross-cultural exchange.The entire collection is now available to examine online as part of the Newberry’s new open access policy that has so far made over 1.7 digital images available for unrestricted and free use. The drawings, specifically, are part of the Edward E. Ayer Collection, which comprises artworks, books, and other materials related to American Indian history and culture.

GO LOOK: Newly Digitized Collection of Early 20th-Century Lakota Drawings Tells a Curious History

 

p.s. I’ll be back next week… Lara

Museums Art on Slavery | Transformation Mask | Ahasteen Comics 2018 | All White All Male History and more

 

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EXCERPT:

Removing a person’s name was a means of erasing their identity and imposing a “social death” that transformed enslaved persons into property rather than living individuals. Both historians and museum professionals have begun to realize the need for revising the way we frame and label the past, and to support this movement within museums.

…White people in every part of early America directly or indirectly benefitted from the “peculiar institution” of slavery. It created wealth for white families and oppressed the African-Americans forced to perform labor in service to them. This labor allowed wealthy men and women the luxury of free time and money to get their portraits painted at a hefty price by a well-known artist. As Athens notes, museums have the power to engage with an underscore this part of American history: “I think museums can play a part in social justice movements through honest, clear-eyed reassessments of the stories they tell, what those stories privilege, and what they obscure.” Restoring people of color to American museums isn’t just about editing collections or artwork on display, it must also address the labels we have attached to them for hundreds of years.

READ: Can Art Museums Help Illuminate Early American Connections To Slavery?

What took so long??? Massachusetts museums, thank you!

****

 

 

 

“Transformation Mask” does not simulate a specific Indigenous ceremony, but its digital transformation of the gallery is meant to emulate the experience of dancing and wearing a transformation mask. “The mask is about bridging, and my intent really was to bring the non-Indigenous viewer into that cultural world,” Hunt told Hyperallergic.  “When you go look at our masks you are generally going to a gallery or museum, and in that context the masks are not masks but rather sculptures, not something you can wear or interact with.”

The Audain Museum calls “Transformation Mask” a “hybrid between the physicality of a transformation mask and the ephemeral experience of being part of the transformation.” But the installation, and transformation masks in general, might better be understood as an interface. “They are an interface with the unseen, whether it be the spirit world or the internet,” Hunt said. Through his creation, the viewer briefly inhabits another experience, another world and culture.

READ: An Indigenous Artist’s Futuristic Vision of Traditional Transformation Masks

 

BRILLIANT Navajo Times editorial cartoonist Jack Ahasteen’s latest comic.  Source: Ahasteen Comics 2018 – Navajo Times

Yet, the recent all white male history conference held at the Hoover Institution, Stanford University seems to suggest a return to history’s dark age as a gentlemen’s protection society. Happily, the strong and growing presence of and disciplinary focus on women in history as well as the sharp criticism and condemnation (and rightly so) of the exclusive conference make clear that a return to great white men history and historians is a fantasy. Even so, the holding of this conference and others of its kind reflect the ongoing challenges women historians and women history face. The CCWH strongly condemns the choice of holding an all-white, all-male conference at Stanford University, and expresses concern regarding its implications for the historical profession and for its treatment of women in history.

READ: On Stanford’s All White Male History Conference – AAIHS  Why am I not surprised by this??? (shaking my head)

***

Thanks to Pete for this shock:  Report on United States human rights abuses in 2017

***

Ruth Hopkins: “Native Tribes Could Lose Federal Recognition of Tribal Sovereignty Under Trump”

From Teen Vogue, here.

***

When the news about the protest at the Standing Rock Sioux Reservation against the Dakota Access Pipeline burst into the spotlight in 2016, Tristan Ahtone welcomed the chance for greater coverage of Native American issues.

GOOD READ: Nieman Fellow battles media stereotypes of Native Americans – Harvard Gazette

 

By LT (your intrepid reporter)

Hello Everyone! I think we will have spring here in western Massachusetts eventually. Not soon but someday.  The MA state government is now addressing our urgent need to address climate change. Good thinking! Last month, a Massachusetts judge found 13 activists who were arrested for sitting in holes dug for a pipeline to block construction “not responsible by reason of necessity” because the action was taken to avoid serious climate damage. See the “Valve Turners” video here.  (States step up better than the feds.)

I saved up some good reads that I hope you enjoy.

As much as I want to believe we are making progress on rewriting history with a more balanced view on the invasion and conquest of North American, I am reminded (by the story above) that the history industry is still a white male occupation, mostly. If you really think about this, this is really human rights abuse with creating a one-sided less-dreadful history for schoolkids. Museums in Massachusetts and other cities are finally waking up.

We have a long way to go but a new journey has begun.

Good news:  My brilliant colleague Mark Trahant (Shoshone-Bannock) has joined the Indian Country Today newspaper as editor and they are up and running and publishing again! Thanks to the National Congress of American Indians who bought the national Native newspaper from the Oneidas in New York. Here’s a great OP-ED by Associate Editor Vincent Schilling (Mohawk) on rewriting history.

I contributed an OP-ED to Indian Country Today on the Baby Veronica case a few years ago. Mainstream media wasn’t interested in publishing me or my views, despite the fact I’d studied adoption history, the Indian Adoption Projects (and this case) and published relevant anthologies (more than one!).

Expect great things from Mark and Vince on their new publication! Go take a read!

Thanks to everyone for reading this long post! XOX

 

 

167 billboards | No Joke! | Be The Good

Something interesting in going on in Canada’s parks in 02018:

Mohawk curator and scholar Lee-Ann Martin has participated in all of these modes of support in the past. But this summer, she is taking a very different approach—namely, putting the art of 50 Indigenous women artists on 167 billboards from coast to coast to coast.

National billboard project

Coast to coast to coast… 01 June 2018 – 01 August 2018…  Interactive map and full website launch on 01 May 2018

I saw this unforgettable artwork years ago at the PEM in Salem, MA.

How do you make the work of First Nations, Inuit and Métis women artists in Canada more visible? Some people write research papers. Some people build collections. Some people advocate for funding.  Mohawk curator and scholar Lee-Ann Martin has participated in all of these modes of support in the past. But this summer, she is taking a very different approach—namely, putting the art of 50 Indigenous women artists on 167 billboards from coast to coast to coast.

“Having Indigenous women’s art writ large in public…along the country’s roadways and in urban centres” is vital, says Martin. “I really see the project as synonymous with Indigenous women’s work as defenders of the land,” she notes, with “the other, more practical intent [being] for people to realize the breadth, depth and diversity of Indigenous women’s art and how important it is today.”

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A Complete List of the 50 Artists in “Resilience” :  KC Adams, Kenojuak Ashevak, Shuvinai Ashoona, Rebecca Gloria-Jean Baird, Mary Anne Barkhouse, Christi Belcourt, Rebecca Belmore, Jaime Black, Lori Blondeau, Heather Campbell, Joane Cardinal-Schubert, Lianne Marie, Leda Charlie, Hannah Claus, Dana Claxton, Ruth Cuthand, Dayna Danger, Patricia Deadman, Bonnie Devine, Rosalie Favell, Vanessa Dion Fletcher, Lita Fontaine, Melissa General, Tanya Harnett, Maria Hupfield, Ursula Johnson, Bev Koski, Nadya Kwandibens, Mary Longman, Amy Malbeuf, Teresa Marshall, Meryl McMaster, Caroline Monnet, Lisa Myers, Nadia Myre, Jade Nasogaluak Carpenter, Marianne Nicolson, Shelley Niro, Jeneen Frei Njootli, Nigit’stil Norbert, Daphne Odjig, Jane Ash Poitras, Annie Pootoogook, Sherry Farrell Racette, Sonia Robertson, Pitaloosie Saila, Jessie Short, Skawennati, Jackie Traverse, Jennie Williams, Terri-Lynn Williams-Davidson, Gid7ahl-Gudsllaay Lalaxaaygans

GO LOOK: Nationwide Public Art Project to Feature 50 Indigenous Women – Canadian Art

*** Letter to an Emerging Indigenous Writer

Writing in all its forms is a scary act; it makes us vulnerable and exposes our softest parts to a world not known for its gentleness. But there’s magnificent power in that vulnerability, and it’s deserving of acknowledgment. And I’m filled with such deep joy each time another powerful voice joins the Indigenous literary world. I hope you’ll think of these words as an honoring and a hope for the important work you’re about to undertake.

In both Canada and the US the mainstream literary scene tends to hold up one or two Indigenous writers at a time, while leaving the rest to fend for themselves. It’s important to help one another, to uphold one another’s work, to celebrate successes and grieve losses, to engage in this beautiful struggle together.

READ: Letter to an Emerging Indigenous Writer | Literary Hub

***

By LT (no April Fools jokes here!)

I’m sure you have had enough of the political news (no joke) so I humbly attempt to bring you something new and different like the stunning billboards above.  Of course there is lots going on, including more and more conspiracy theorists online, end days scares, A.I. has won (crapola),  and what is up with all the mermaid stuff (dear god no no no).  OK, some days I don’t even want to sit at a computer.

I do follow many many many blogs but I do want you to read Asshole Watching Movies and their latest coverage of SXSW: Isle of Dogs.

Flat earthers are looking at the end times. This is it. Really. It’s for real this time. No really, this is the end. Fox News will rise up into obscurity when they lose all of their advertisers, leaving the believers behind to think for themselves and the nonbelievers free to live in peace without the believers trolling them online, at church, in the bar, or at potlucks. – SPIKE on Medium

I also want to make you aware of Spike Dolomite, and her Daily Crime Report — sarcastic cliff

I cannot wait to see this!

notes of yesterday’s breaking news. I cannot stop reading her jabs, laughing loudly. (Laughter is the best medicine these days. ((No Joke!))

But I have always wondered about the men and women behind bars in prison and how they are living out their lives. I had no idea how they cope. THIS podcast Ear Hustle opened my eyes!

And I am doing this daily: Raising my vibration… (if it’s TV or any other media, if it feels dark to you, turn it off. NOW, please.)  Military Propaganda? See the blurb below.

This might be the best series on the affects of adoptees of First Nations I have ever heard: You must listen to this series about Cleo (10 segments so far) : http://www.cbc.ca/radio/findingcleo/click-here-to-listen-to-missing-murdered-finding-cleo-1.4557887

 

I send each of you LOVE. Get out in the sunshine and laugh!

don’t forget – this is truth!

 

 

 

• Adam Ramsay writes “Cambridge Analytica is what happens when you privatise military propaganda“:

And just as the fighting was privatised, so too was the propaganda. In 2016, the Bureau of Investigative Journalism revealed that the Pentagon had paid around half a billion dollars to the British PR firm Bell Pottinger to deliver propaganda during the Iraq war.  Bell Pottinger, famous for shaping Thatcher’s image, included among its clients Asma Al Assad, wife of the Syrian president. Part of their work was making fake Al Qaeda propaganda films. (The firm was forced to close last year because they made the mistake of deploying their tactics against white people). (No Joke!)

 

 

02018 | The Long Now | Bloom | Stickiness: Killing Our Attention Span #NEVERAGAIN

The Long Now Foundation was established in 01996* to develop the Clock and Library projects, as well as to become the seed of a very long-term cultural institution. The Long Now Foundation hopes to provide a counterpoint to today’s accelerating culture and help make long-term thinking more common.

The Clock and Library Projects

Below is an essay by a founding board member Stewart Brand on the need for, and the mechanism by which, The Long Now Foundation is attempting to encourage long-term thinking:

Civilization is revving itself into a pathologically short attention span.  The trend might be coming from the acceleration of technology, the short-horizon perspective of market-driven economics, the next-election perspective of democracies, or the distractions of personal multi-tasking. All are on the increase. Some sort of balancing corrective to the short-sightedness is needed – some mechanism or myth which encourages the long view and the taking of long-term responsibility, where ‘long-term’ is measured at least in centuries. Long Now proposes both a mechanism and a myth.

It began with an observation and idea by visionary computer scientist W. Daniel Hillis : “When I was a child, people used to talk about what would happen by the year 02000. For the next thirty years they kept talking about what would happen by the year 02000, and now no one mentions a future date at all. The future has been shrinking by one year per year for my entire life. I think it is time for us to start a long-term project that gets people thinking past the mental barrier of an ever-shortening future. I would like to propose a large (think Stonehenge) mechanical clock, powered by seasonal temperature changes. It ticks once a year, bongs once a century, and the cuckoo comes out every millennium.”

Such a clock, if sufficiently impressive and well-engineered, would embody deep time for people. It should be charismatic to visit, interesting to think about, and famous enough to become iconic in the public discourse. Ideally, it would do for thinking about time what the photographs of Earth from space have done for thinking about the environment. Such icons reframe the way people think.

Hillis, who developed the “massive parallel” architecture of the current generation of supercomputers, devised the mechanical design of the Clock and is now building the monument scale version of the Clock in the Sierra Diablo range of West Texas near the town of Van Horn.  The first Clock prototype is currently on display at the London Science Museum and others are at the headquarters of Long Now in San Francisco.  The Clock’s works consist of a specially designed gear system that has precision equal to one day in 20,000 years, and it self-corrects by “phase-locking” to the noon Sun.

Long Now added a “Library” dimension with the realization of the need for content to go along with the long-term context provided by the Clock – a library of the deep future, for the deep future.  In a sense every library is part of the 10,000-year Library, so Long Now is developing tools (such as the Rosetta Disk, The Long Viewer and the Long Server ) that may provide inspiration and utility to the whole community of librarians and archivists. The Long Bets Project – whose purpose is improving the quality of long-term thinking by making predictions accountable – is also Library-related.  The point is to explore whatever may be helpful for thinking, understanding, and acting responsibly over long periods of time.  –  Stewart Brand

check out: About – The Long Now

BLOOM

Another generative work called Bloom, created with Peter Chilvers, is available as an app.

Part instrument, part composition and part artwork, Bloom’s innovative controls allow anyone to create elaborate patterns and unique melodies by simply tapping the screen. A generative music player takes over when Bloom is left idle, creating an infinite selection of compositions and their accompanying visualisations. — Generativemusic.com

Out of Eno’s involvement with the establishment of The Long Now Foundation emerged in his essay “The Big Here and Long Now”, which describes his experiences with small-scale perspectives and the need for larger ones, as well as the artist’s role in social change.

This imaginative process can be seeded and nurtured by artists and designers, for, since the beginning of the 20th century, artists have been moving away from an idea of art as something finished, perfect, definitive and unchanging towards a view of artworks as processes or the seeds for processes — things that exist and change in time, things that are never finished.  Sometimes this is quite explicit — as in the late Walter de Maria’s “Lightning Field,” (above) a huge grid of metal poles designed to attract lightning.  Many musical compositions don’t have one form, but change unrepeatingly over time — many of my own pieces and Jem Finer’s Artangel installation “LongPlayer” are like this.  Artworks in general are increasingly regarded as seeds — seeds for processes that need a viewer’s (or a whole culture’s) active mind in which to develop.  Increasingly working with time, culture-makers see themselves as people who start things, not finish them.

And what is possible in art becomes thinkable in life. We become our new selves first in simulacrum, through style and fashion and art, our deliberate immersions in virtual worlds. Through them we sense what it would be like to be another kind of person with other kinds of values. We rehearse new feelings and sensitivities. We imagine other ways of thinking about our world and its future. keep reading

The founders of @HOOKED are creating an antidote to social media addication by getting millennials to read novels in text message form. Danny in the Valley catches up with them in the latest podcast: https://t.co/42VLOCnmFl https://t.co/ft7SKaEhnk pic.twitter.com/4kqoXubQrB

— Sunday Times Business (@ST_Business) February 11, 2018

https://twitter.com/crbpin/status/962795820260253696

"None of us knows whether Doomsday is upon us (the clock recently inched 30 seconds closer to the apocalypse) or… https://t.co/iJAsKzlbr1

— Lazone Grays Jr (@lazoneg) February 11, 2018

 

02018 – it’s amazing how adding the 0 works on my brain!

You and I are a WORK IN PROGRESS and a SEED!

I hope we can reframe how we look at the future with inspired hope and less stickiness! For me music has always been vibration and transforming.  I was a musician long before doodling as a writer.

In solidarity with #NEVER AGAIN

Lara Trace in 02018

MASS SHOOTERS | How Fear Sells Guns | Crisis Actors? | Land of the Blacks +

By LT

Hey everyone! I joined the board of directors of Greenfield Artspace this past week and coming up is the annual Pottery Sale, the big fundraiser of the year. I am so happy to be working locally and to help grow their music and arts programs for kids.  Hearing a small child play a violin – so good – such a great feeling!

Which leads me to this: I know the news has impacted all of us.  Our precious children, our teenagers, and the families and community in Florida are living the aftermath of yet another mass shooting.  Yes, the shooter is an adoptee, which is not as much an issue for me as the entire gun safety issue and his mental illness. He is deranged. The shooter was ready to explode and no one did anything to stop him but his friends tried, calling police TIPS lines and the FBI.  Crazy people don’t know they are crazy, but friends do notice.  The Florida shooter’s friends made numerous calls to the police. Now 17 people are dead.

In the aftermath, don’t feed the shooter’s deranged sick ego demands. You might remember this advice DON’T NAME THEM.

The Intercept has an excellent article about the student movement. READ HERE.  For years, gun manufacturers and industry-supported associations have focused their energy on transforming young Americans into the next generation of shooters.

Fear sells weapons, obviously, since people rush out to buy a gun after every mass shooting at the mere mention of losing the constitutional right to buy an AR15. It’s expected gun sales will surge following this shooting and any future mass murder event.  Last year, gun sales were down.

Deadliest U.S. mass shootings, 1984-2017 – Timelines

Related

Major Gunmaker Admits “Heightened Fears” of Crime and Terrorism Help Sales [Formerly known as Smith & Wesson, American Outdoor is the parent company of gun maker that manufactured the assault rifle, an AR-15, used in the Parkland school shooting.] top photo

The Ritual of Silence in an Age of Mass Shootings

Gun Industry Describes Mass Shootings Like Orlando as a “Big Opportunity”

Gun Industry Executives Say Mass Shootings Are Good for Business

So what do we do with broken systems and broken people? We let the survivors tell us. And we listen. And then we act.

*****

In the News

‘CRISIS ACTOR’ Isn’t a New Smear. The Idea Goes Back to the Civil War Era.

Niraj Chokshi, Feb. 24, 2018, The New York Times

After any major attack, you are likely to find in some dark corner of the internet conspiracy theories that the survivors or victims made it all up or were part of a troupe of paid “crisis actors.” Such theories emerged after the massacres in Las Vegas in October; at a gay nightclub in Orlando, Fla., in 2016; and at Sandy Hook Elementary School in Newtown, Conn., in 2012.

It happened again this month, after 17 people were killed in the school shooting in Parkland, Fla. Those conspiracy theories have been amplified in the internet age, but they are a part of a long, troubled history of dismissing the voices of those seeking change. “This theme that anyone agitating for change must be either an outside agitator or must have been paid or put up to it is one that runs throughout American history,” Kevin M. Kruse, a history professor at Princeton University, said in a phone interview. Conspiracies of this kind quickly circulated about the Florida shooting, with one top-trending YouTube video suggesting, falsely, that one of the survivors was a hired actor. The video’s caption tapped into the idea that student protesters were paid to advocate gun control, and Mr. Kruse pointed his followers on Twitter to a decades-old analog: In 1957, civil rights supporters had to dispel rumors that nine black children seeking to integrate Central High School in Little Rock, Ark., were being paid for their activism. continue…

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A New York Walking Tour Uncovers Hidden Histories of Slavery and Struggle
Elena Goukassian, February 21, 2018, Hyperallergic

Just a block from the South Street Seaport in Lower Manhattan, you’ll find an unassuming storefront surrounded by a sea of high-end restaurants and retail. The Black Gotham Experience’s home base may look out-of-place, but it’s actually exactly where it belongs. Black people first arrived via ships docking in the area, were sold on the Wall Street Slave Market a few blocks away, and worked on the ships and built Broadway, Trinity Church, and the original City Hall on Wall Street, among other public works. (What’s now Washington Square was once known as Land of the Blacks.)  

continue…
 

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Database documents Albany’s slave owners
Paul Grondahl, February 21, 2018, The Times-Union

 

In the public imagination, slavery was long considered a scourge of the South, perpetuated by white slave owners who ran vast cotton and tobacco plantations that exploited shackled Africans bought and sold as property.

In reality, as a new publicly searchable database reveals, wealthy Dutch merchants in Albany routinely owned slaves that they used for domestic chores and to run their farming operations outside the city. There were 3,722 slaves of African descent listed in the 1790 census in Albany County, for instance, the most of any county in the state at the time.
Many can be tracked in the first-ever New York Slavery Records Index, which was released last week by John Jay College of Criminal Justice in New York City. It is the most detailed demographic portrait yet of slavery across the state. Its release coincided with the beginning of February’s Black History Month.

More than 35,000 records were compiled and they are searchable by the names of slave owners, individual enslaved people, manifests of slave ships arriving at the port of New York and as fugitives who sought freedom in the state along the Underground Railroad. The database begins in 1525 and continues through the end of the Civil War in 1865.

“These records are an extremely important contribution to our understanding of slavery in New York. They will help us tell the history of enslaved people in a more complete and compelling way,” said Heidi Hill, site manager at the state-run Schuyler Mansion in Albany, home of Revolutionary War Gen. Philip Schuyler, who was the father-in-law of Founding Father Alexander Hamilton. The database shows that Schuyler owned 13 slaves at his South End mansion in 1790 and another four slaves worked on his farm in Saratoga County.

continue…

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 Savannah museums: Interpreting slavery a path to ending inequality

Andria Segedy, February 24, 2018, Savannah Morning News

 

The Owens-Thomas House and the Davenport House museums continue to build on reinterpretation of what they have been sharing about the residents — the free and the enslaved — of those houses during their early years. Finding their documented history remains a challenge.

“Our tours, as you have observed, have transitioned to being focused on the lives of the free and enslaved who have lived in the home,” according to Shannon Browning-Mullis, curator of history and  decorative arts for Telfair Museums, which includes the Owens-Thomas House.

“White descendants are much easier to find because of the records that were kept,” Browning-Mullis said. Richardson was a slave trader, shipping slaves out of the Port of Savannah to the Port of New Orleans. It was an interesting conversation, she said.

“Part of what we are doing, to think about the fact we are telling these stories not of abstract fictional characters but of real people who lived and worked in the house,” she said. “Their descendants on both sides are probably still in this community.”

“A major part of the responsibility as historic site stewards in this community is a deep consideration of how we talk about the institution of slavery and the experiences of people who were enslaved,” according to Telfair Museums.

A panel of experts will discuss this during a free public forum March 8 at the Jepson Center. “A Conversation about Interpreting Slavery in a Historic City” will include Browning-Mullis along with other panelists: Jamal Toure, board member of George Liele Visions Inc. (nonprofit of First African Baptist Church); Jamie Credle, director of the Davenport House Museum; and Shawn Halifax, cultural history interpretation coordinator of Charleston (S.C.) County Parks. It will be moderated by Porchia Moore, inclusion catalyst for the Columbia Art Museum in Columbia, S.C.

continue…

I have a post scheduled in a few days on more interesting stuff I’m reading… besides reading your blogs, of course. See you at the Pottery Sale March 2-3 if you are in western MA. xoxoxoxox

Bonus Intercepted Podcast: The Laundering of American Empire

Fearless, adversarial journalism that holds the powerful accountable.
https://megaphone.link/PPY3342946942

THIS…

But is (tRUMP) the most dangerous president ever? Is he really so outside the norm of the policies of his predecessors? The short answer, when it comes to substance and policy, is: not yet. Harry Truman dropped not one, but two nuclear bombs. Multiple presidents continued the war on Vietnam, killing tens of thousands of U.S. soldiers and more than a million Vietnamese. Have we forgotten the secret bombings of Cambodia and Laos, the CIA Phoenix Program, and the widespread use of Agent Orange? The dirty wars in Central America? The global assassination operations?

LISTEN: Bonus Intercepted Podcast: The Laundering of American Empire