Will any of these stories trickle down to living Americans? (I know we’re busy) Can stories help hearts and heal divisions? Will anything good happen when horrific secrets are finally exposed to us? I don’t have the answers. But I do know that stories are what makes us human. If grandparents are in charge of story-telling (usually) – then how do we share the bad with the good and what age are children ready to know? (Obviously we have left it to schools and too many schools have failed us and our children.) How do balance abject horror with resilience, justice and truth? Stories.
References to the Great Dismal Swamp — and the escaped slaves who settled there — started appearing in newspapers and other sources in the 1700s. But archaeologists have found evidence that people were living in the swamp long before that. When British colonists arrived in the region in the early 1600s, indigenous Americans began moving to the swamp to seek refuge from the Europeans.
*** Did you Know About This?
**** REBRAND KKK White Supremacists change name to #AltRight
— Alt-Right Bot (@alt_rightbot) August 27, 2017
The Ku Klux Klan was at the height of its popularity when more than 30,000 members — racists and anti-Semites marching 22 abreast and 14 rows deep – paraded down Pennsylvania Avenue in Washington on Aug. 8, 1925.
*** University of Virginia? WATCH > Unearthed and Understood
This is what a fully-funded Treaty Right looks like.
The Lonely Palette: “JMW Turner’s The Slave Ship” (podcast)
Tamar Avishai’s The Lonely Palette selects a single artwork for each episode, and then dissects its visual and historical context in an approachable way. In “J. M. W. Turner’s The Slave Ship,” Avishai gets some visitor feedback at the Museum of Fine Arts, Boston on the 1840 painting, before examining how what appears like an abstract blast of light and blurred color has a deeper meaning within art history, balanced between Romanticism and Neoclassicism, and the unease of nature’s fury and the terror of human nature. For you might not notice them at first, as the blinding sun hovers over the waves, but human hands are reaching up from the water, representing the 133 people thrown from the Zong slave ship in 1781. (P.S…. it’s quite revealing!)